La Menesunda Según Marta Minujín
In 1965, at the Center of Visual Arts of the Instituto Torcuato di Tella in Buenos Aires, Minujín and Rubén Santantonín devised the now-legendary environment La Menesunda.
The work led visitors on a circuitous journey through eleven distinct spaces, including a tunnel of luminous neon signs, a bedroom complete with a married couple, a hallway lined with illuminated TVs, and a salon with makeup artists and masseuses offering their services. This intricate, interactive labyrinth sought to provoke visitors and spur them into action, and to offer new modes of encounter with consumer culture, mass media, and urban life.
In 2015, the Museo de Arte Moderno de Buenos Aires presented a reconstruction of La Menesunda, and in June 2019, the New Museum presents the second recreation of this installation, its first-ever presentation in the US.
While La Menesunda was created as a direct response to street life in Buenos Aires—the title is slang for a confusing situation—the work, alongside that of Niki de Saint Phalle, Christo, Claes Oldenburg, and others, counts among the earliest large-scale environments made by artists, demonstrating how Minujín anticipated the contemporary obsession with participatory spaces, the lure of new pop-up museums, and the quest for an intensity of experience that defines social media today.
The work led visitors on a circuitous journey through eleven distinct spaces, including a tunnel of luminous neon signs, a bedroom complete with a married couple, a hallway lined with illuminated TVs, and a salon with makeup artists and masseuses offering their services. This intricate, interactive labyrinth sought to provoke visitors and spur them into action, and to offer new modes of encounter with consumer culture, mass media, and urban life.
In 2015, the Museo de Arte Moderno de Buenos Aires presented a reconstruction of La Menesunda, and in June 2019, the New Museum presents the second recreation of this installation, its first-ever presentation in the US.
While La Menesunda was created as a direct response to street life in Buenos Aires—the title is slang for a confusing situation—the work, alongside that of Niki de Saint Phalle, Christo, Claes Oldenburg, and others, counts among the earliest large-scale environments made by artists, demonstrating how Minujín anticipated the contemporary obsession with participatory spaces, the lure of new pop-up museums, and the quest for an intensity of experience that defines social media today.
Sound Design: Ignacio Cantisano